Our Work
LIVE BROADCASTING
Whether it’s a live broadcast of a sports event, music festival, or corporate event – our equipment and team ensure a smooth and professional result from start to finish.
Here are some examples of our work and execution.
Production Setup Descriptions
Triathlon competition
For this production, we implemented a REMI (Remote Integration Model) workflow to minimize on-site infrastructure and centralize production control.
Camera Sources:
3× Blackmagic Design URSA Broadcast cameras were deployed on-site, each transmitting ISO feeds over IP to the central control room.
1× DJI drone provided live aerial coverage, feeding into the same REMI workflow.
Signal Routing & Switching:
All sources were remotely switched and mixed in the control room.
The PGM (program output) was sent back to the venue to feed a large LED screen for the on-site audience.
Streaming:
The final program feed was simultaneously encoded and streamed live to YouTube for online viewers.
This setup allowed us to keep production staff centralized, reduce equipment footprint at the venue, and still deliver a multi-camera, broadcast-quality show with dynamic aerial coverage.
REMI Production Setup – Slackline Event
Video Sources
Remote Cameras (2x)
Each camera is equipped with a Haivision Air 320e 5G encoder.
These cameras are positioned on opposite sides of the slackline for full coverage.
The encoders stream low-latency, broadcast-quality video over bonded 5G connections directly to the central hub.
Drone Camera
The drone is fitted with a Haivision Pro340 encoder.
This provides dynamic aerial coverage, capturing the slackliner from above and giving wide establishing shots.
The Pro340 streams live over 5G to the same central receiving point.
Slackliner POV Camera
A smartphone running the MoJoPro app is attached to the slackliner’s harness.
This delivers a real-time, first-person perspective of the action.
The MoJoPro stream is routed to the hub via bonded cellular connection.
Signal Flow
All video feeds (2x Haivision Air 320e, 1x Pro340, 1x MoJoPro) are transmitted over 5G networks to the central hub.
At the hub, feeds are received, synchronized, and made available in the video switcher.
Video Mixing
The central hub performs live video switching and graphics insertion.
The mixed program output is then distributed to streaming platforms and recording systems as required.
Advantages
Minimal on-site crew – cameras and encoders can be operated remotely.
Reliable contribution via bonded 5G for high mobility.
Multi-angle and POV coverage for a dynamic, immersive production.
FOLK Festival Production Setup
For this festival, we deployed a multi-stage live production workflow with centralized control from an on-site OB (Outside Broadcast) unit located behind the main stage.
Stage 1:
Equipped with 4× URSA Broadcast cameras, positioned for optimal coverage of performances.
Stage 2:
Equipped with 4× URSA Broadcast cameras, providing full multi-angle coverage of the second stage.
Signal Routing & Control:
All eight camera feeds were routed to the OB van, where vision mixing, audio mixing, and shading were handled.
The Program (PGM) output was sent to large LED screens at the venue to display live action for the audience.
Recording:
The mixed program feed, as well as selected isolated camera feeds, were recorded in the OB unit for post-event use, archival, and potential highlights editing.
This setup ensured synchronized multi-stage coverage, professional-quality switching, and reliable playback on the festival’s large-scale LED screens, while also capturing high-quality recordings for future distribution.
PARNTERs
Want to take your live broadcast to the next level?
Contact us and tell us about your project – TV-BUSS will help ensure professional, reliable, and flexible technical solutions tailored to your needs.